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| Amadeus - Director's Cut (Two-Disc Special Edition) | 
 enlarge | Director: Milos Forman
Actors: F. Murray Abraham, Tom Hulce, Elizabeth Berridge, Roy Dotrice, Simon Callow
Studio: Warner Home Video
Category: DVD
List Price: $26.98
Buy New: $9.73
You Save: $17.25 (64%)
New (45) Used (35) Collectible (3) from $8.50
Avg. Customer Rating:  503 reviews
Sales Rank: 1276
Format: Anamorphic, Closed-captioned, Color, Dolby, Dvd-video, Special Edition, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), French (Original Language), English (Subtitled), Spanish (Subtitled), French (Subtitled)
Rating: R (Restricted)
Number Of Items: 2
Running Time: 180
Aspect Ratio: 2.35:1
Shipping Weight (lbs): 0.5
Dimensions (in): 7.5 x 5.6 x 0.7
MPN: WARD37464D
ISBN: 0790765152
UPC: 085393746421
EAN: 9780790765150
ASIN: B00006DEFA
Theatrical Release Date: September 19, 1984
Release Date: September 24, 2002
Availability: Usually ships in 1-2 business days
Condition: ******BRAND NEW****** ** Over 1.5 million orders shipped worldwide and more than 500 000 items in stock, BUY FROM A TRUSTED SOURCE, ESTABLISHED SINCE 1998 - INETVIDEO ~~~
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| Customer Reviews:
 Solid September 7, 2008
I found that the film was not at all as I expected- a staid Merchant-Ivory type production mixed with a hint of Masterpiece Theater. This was both good and bad. On the positive side is the very dramatic structure of the film, being told from Mozart's inferior rival's, Antonio Salieri's (F. Murray Abraham), point of view. On the down side is the over the top performance by Tom Hulce, as Mozart, especially with that pointlessly distracting guffaw. Also, as the DVD delineates which scenes were altered, extended, or added in toto, it becomes obvious that director Milos Forman's original cut was the superior, as none of the added scenes adds palpably to the thrust of the film. Yes, I liked the added scene of Mozart's wife, Constanze (Elizabeth Berridge), getting naked to try to sexually please Salieri, to advance her husband's career, for Berridge was certainly a major hotty with the body back then, but, despite my prurient interest, the scene is pointless.... Unfortunately, in either version, this is nowhere near a great film. It's a fun, solid romp, but the American accents and slang that infiltrate Eighteenth Century Viennese society are just too much, as is Hulce as Mozart. No, a staid portrayal of the man would have been dull, but a genius as idiot savant, or a step above, is not worthy of this dramatic treatment, either. That it only heightens Salieri's frustration is dramatically defensible, but since the whole notion of Salieri's envy and hatred of Mozart is a historical fiction, there really was no reason to go so over the top in the first place.
The rest of the cast does fairly well. Berridge as the clueless wife, Jeffrey Jones, as Emperor Joseph, is a dolt with a heart, who doesn't understand how to run his own life, much less a nation....All in all, I would recommend the film, but as a light diversion, not a serious inquiry in to art nor the artistic mindset. That film has yet to be made.
 An Unforgettable Classic August 20, 2008
Amadeus is a gripping drama based on the wonderful play by Peter Shaffer. This is an unforgettable film which explores the universal theme of mediocrity in the face of greatness. Antonio Salieri, (F. Murry Abraham), is court composer in the court of Emperor Charles of Vienna. He is loved by everyone and esteemed because of his musical creations. However, a new genius comes on the scene: Wolfgang Amadeus Mozart, (Tom Hulse). Salieri immediately recognizes the genius of this extraordinary man, although he is appalled by his brusque and uncouth manner. Salieri's admiration is surpassed by his consuming jealousy, and he will stop at nothing to destroy his rival. This movie brings into question the fairness of divine justice. Why are some people blessed with greatness while others have to struggle? Salieri angrily questions God as he prepares to exact revenge upon Him through abusing His instrument. "You say God is not mocked. I say: Man is not mocked!"
This film is truly exceptional! All of the performers portray their characters excellently, particularly Abraham, who won a well-deserved Oscar. The movie contains beautifully rendered examples of Mozart's work, and portrays the characters as human beings. We can all relate to these characters: Salieri, the mediocre and overlooked individual brings to mind all of our failures. Abraham makes us empathize with this despicable individual. Hulce makes us feel empathy for Mozart because we witness his fall from greatness into despair as a result of his poverty.
Please give this film a chance.
Amadeus- Director's Cut July 26, 2008
The Director's version added about thirty minutes and a fair amount of information. It's a beautiful film that deals with brilliance, mediocrity, jealousy, obsession, and tragedy. What's not to like! Thank you Amazon.com. Rich
Amadeus Is Perfectly Named July 24, 2008
I recently watched AMADEUS for the second time and was amazed by what a perfect film it is. Totally historically accurate to the life of Wolfgang Amadeus Mozart? No, but the script faithfully follows the basic facts of his life and death with a heavy dose of speculation. Tom Hulce is simply wonderful as Mozart and he believably creates a vulgar, annoying (who can forget that awful laugh?)often socially clueless little man who still fulfills the meaning of his second name "Amadeus" in being beloved by God at least in terms of musical talent. F. Murray Abraham is perfect as Austrian Emperor Joseph's, court composer, Salieri. Salieri possessed social skills, musical talent and training, burning ambition and at least in the beginning piousness. It seems plausible that Salieri's realization of himself as a mediocre composer compared to the musically great though often bizarre Mozart could have driven him to obsession and madness. The costumes and interior furnishings in the film are beautiful and the Prague filming location which stands in for Vienna fully creates the atmosphere of an 18th century European city. Though Hulce and Abraham are the obvious acting standouts the rest of the film is very well cast. I'm no music scholar but Mozart's music which comprises the score seems to be perfectly presented. And the scenes from his operas are so well recreated in the original 18th century manner that they alone are reason enough to watch the film. Yet the rich universal themes are the biggest strengths of AMADEUS. It is a movie that can be enjoyed by those who think they hate classical music or films with historical settings.
 Enjoy the show but remember its fiction! June 20, 2008
This is an enjoyable if grossly historically distorted account of Mozart and those around him. Please remember not to believe it! The pianist Moscheles who visited Salieri during his last illness in 1825 related that he tearfully protested his innocence to the last! Here we are continuing to believe in this nonsense.
Mozart's letters show him capable of vulgarites, but nonetheless reflects a generally sober and ambitious young man at times too full of himself, and prone to imaginary enemies, like his dad Leopold. Thus rivals are unnecessarily maligned e.g Clementi, and in this movie, Salieri. Contrary to the portrayal, Salieri was a prodigy, if not on such dimensions as Mozart. He was extremely successful as a composer, not quite overshadowed by Mozart in the 1780's yet, and considered by Gluck to be his true heir (indeed a fair assessment). At the time of Mozart's death, both Mozart and Salieri had fallen out of favour at court, since the new emperor Leopold II had no time for them but prefered his own favourite Cimarosa. Thus indeed there was no reason for Salieri to murder Mozart! In fact during this time they actually became good friends. Only some time after Mozart's death did senseless and malicious rumours start to spread about Salieri's poisoning him. It resulted in Pushkin's play, Dargomizshky's opera, and now in our times Amadeus. In fact Mozart died of overwork because he was trying to make enough money to support his expensive lifestyle (he detested being looked down upon by the nobility). What do we know of the true Salieri? He was highly respected, and Beethoven sought in out as a teacher. He was also generous towards his pupils, giving lessons to Schubert and young Liszt for free because they could not afford the fees.
Constanze did not fsir so badly. But still there were untruths, such as she abandoning him during his illness. He only fell ill after she returned from her treatment at the spa (yes she was ill, not going for fun). After his death, she proved to be an astute business woman and great custodian of his music, ensuring not only his lasting fame but also that their children were never in want. The world thought badly of her as a result of her father-in-law's and sister-in-law's relentless campaign against her.
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