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| Guess Who's Coming to Dinner | 
 enlarge | Director: Stanley Kramer
Actors: Spencer Tracy, Sidney Poitier, Katharine Hepburn, Katharine Houghton, Cecil Kellaway
Studio: Sony Pictures
Category: DVD
List Price: $14.94
Buy Used: $7.74
You Save: $7.20 (48%)
New (3) Used (23) Collectible (1) from $7.74
Avg. Customer Rating:  138 reviews
Sales Rank: 21534
Format: Closed-captioned, Color, Dvd-video, Full Screen, Ntsc
Languages: English (Original Language), French (Original Language), English (Subtitled), French (Subtitled)
Rating: NR (Not Rated)
Number Of Items: 1
Running Time: 108
Aspect Ratio: 1.85:1
DVD Layers: 1
DVD Sides: 1
Picture Format: Array
Shipping Weight (lbs): 0.3
Dimensions (in): 7.5 x 5.1 x 0.6
MPN: 05419
ISBN: 0767821483
UPC: 043396054196
EAN: 9780767821483
ASIN: 0767821483
Theatrical Release Date: December 12, 1967
Release Date: February 2, 1999
Availability: Usually ships in 1-2 business days
Condition: DISC ONLY: machine buffed and in beautiful condition. Former rental shipped in clear plastic cover.
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| Customer Reviews:
 Pretty Good July 31, 2008
1 out of 1 found this review helpful
Well, I finally sat down and watched this movie. For it's time, I'm sure this was really pushing the envelope. I think it's kind of funny that an interracial couple meet in Hawaii and the white woman believes their children will grow up to be President. (Obama's parent's maybe?) Anyway, the performances were good...except for Katherine Houghton (Hepburn's niece.) I thought that she was too naive by half and listening to her made me cringe.. She was supposed to be 23 but she really acts 16. It didn't come across as mature love at all. Plus, I'd like it if Poitier wasn't a doctor. Why couldn't he have been the mailman or the manual laborer? There we would really be turning up the heat. The timeline seemed contrieved. There really wasn't a reason the couldn't wait 6 months. Truly, for the subject matter, the movie played it safe...and to that end I was a little disappointed, but this is still a movie worth seeing.
 Guess Who's Coming to Dinner July 28, 2008
The product arrived in the time specified and was in good condition. I enjoy having a classic on American culture that informs us and invites change.
 Mawkish, terribly dated, and borderline embarrassing.... July 21, 2008
3 out of 3 found this review helpful
A problem with message movies such as these is that they tread a fine line between being too much of their time and being universal. While this film caused quite a stir in 1967, watching it today is painful and cringe inducing. It's strictly a product of its time.
The story of an interracial couple (Sidney Poitier and Katherine Houghton) marrying was very radical in 1967, but today it's much more accepted. Things are certainly not perfect, but they are much more tolerant than they were 40 years ago. It is important to note that this film wasn't done for cheap shock value. Stanley Kramer, the director and producer of the film, was a filmmaker who made socially conscious works throughout most of his career, so a film like this was a natural choice for him. Unfortunately, the film is so dated and so obvious that it'll make modern audiences cringe. The screenplay (which won an Oscar!) is trite and never goes beyond a sitcom level. The film plays almost like a "very special" episode of a sitcom. It takes a worthy subject and makes it as inoffensive as oatmeal. It's so blanded down. It's mawkish and overly sentimental as well, which makes it even worse.
It's interesting to contrast this film with a film Poitier made the same year, and that's To Sir, With Love. He plays an American teaching in a tough East End London school. That film, while a bit corny at times, hasn't dated nearly as much as this one, mainly because Poitier's race is only mentioned once, and just for a few seconds (there's a scene where he cut himself, and one of his students foolishly says "oh, he bleeds red"). To Sir, With Love never telegraphs its punches like Guess Who's Coming to Dinner does.
Many of Kramer's films have dated. The films of Otto Preminger, another filmmaker who made socially conscious films, haven't dated at all and are still quite potent in their depiction of politics (his brilliant Advise and Consent), the Israeli/Palestinian conflict (Exodus), and drug addiction (The Man with the Golden Arm). Preminger's work never resorted to maudlin sentimentality (something screenwriter Dalton Trumbo, who wrote Exodus, admired about Otto), and as a result his work is still valid today. While I admire Kramer's sincerity and choice of subject matter, I can't recommend this film. A shame, as it has 3 of the greatest actors to grace the silver screen, and it's Spencer Tracy's last film. All 3 of them are excellent, doing their best to make this pap watchable. It's a pity the film isn't better.
lilies of the field July 12, 2008
This was an exceptional movie. I watch it many times, when ever I need a lift.
Spence & Katie ... alas no one to replace them June 26, 2008
It is a Classic, what needs to be said? A shame there will never be any more pictures with the two of them, they played it all out, no stops.
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