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| Stravinsky - Oedipus Rex | 
 enlarge | Directors: Julie Taymor, Seiji Ozawa
Actors: Philip Langridge, Jessye Norman, Min Tanaka, Bryn Terfel, Hisako Horikawa
Studio: Philips
Category: DVD
List Price: $29.98
Buy New: $18.49
You Save: $11.49 (38%)
New (30) Used (6) from $18.49
Avg. Customer Rating:  23 reviews
Sales Rank: 32041
Format: Classical, Color, Dts Surround Sound, Ntsc, Subtitled
Languages: English (Subtitled), Spanish (Subtitled), German (Subtitled), French (Subtitled), Italian (Subtitled), Japanese (Original Language), Latin (Original Language), English (Original Language)
Rating: NR (Not Rated)
Number Of Items: 1
Running Time: 117
Discs: 1
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: 000388309
UPC: 044007430774
EAN: 0044007430774
ASIN: B00092ZAOK
Theatrical Release Date: 1992
Release Date: June 14, 2005
Availability: Usually ships in 1-2 business days
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| Similar Items:
| • | Oedipus Rex | | • | Titus | | • | R. Strauss - Salome | | • | Stravinsky - The Rake's Progress / Lott, Goeke, Ramey, Elias, van Allan, Haitink, Glyndebourne Opera | | • | Tchaikovsky - Eugene Onegin / Fleming, Vargas, Hvorostovsky, Gergiev, Carsen [Metropolitan Opera 2007] |
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| Customer Reviews: Read 18 more reviews...
Rich visual and audio experience - highly recommended April 10, 2008
Having been so totally pleased with Julie Taymor's presentations of Mozart's Magic Flute and Across the Universe, I decided to try her version of Stravinsky's opera Oedipus Rex. I was not disappointed. It was a riveting performance, such a satisfying and rich visual and musical experience. If anyone has a hard time getting into the Greek classics, this is the way to overcome that obstacle.
Converging Patterns of Significance April 8, 2008
Stravinsky's masterwork "Oedipus Rex" ....a Greek play translated into Latin, set as a monumental-staged-oratorio, Igor's unique stylization of Verdi's idiom, add another layer of Japanese staging....Don't hesitate. Buy it. (One of Jessye's best ever roles)
At a loss for words May 31, 2007
1 out of 1 found this review helpful
Not much to say...I'm simply stunned and speechless, in agreement with the most extreme of all you enthusiasts. I just found this DVD up here in the Mexican High Sierra, and I can hardly express my delight with it. I'm in the classical music world, and really know what a valuable thing Julie Taynor has done for every creative soul: from Sophocles, Cocteau, e.e.cummings and Stravinsky, to all the people she's inspired in the concept of this "oratorio". As Jessye Norman says; she felt she was co-creating with Taynor, something that brought out the best in her. Already a goddess, that's saying something.
The DVD production is A-1, and as Julie and Jessye suggest: turn off the subtitles (you know the story) and just let the magic - the dancing, the sets, the costumes, the acting, and above all Stravinsky's powerful music, transport you back to a time when human beings were the playthings of the gods, and when the rational mind had not yet destroyed our imaginative capacities.
Buy this production NOW before it disappears. You just never know.
simply superb! December 23, 2006
8 out of 8 found this review helpful
Gifted director/designer Julie Taymor apparently secures one amazing success after another, and this arresting production is surely one of her supreme creations! Adapting the conventions of the seventeenth-century opera-oratorio, Stravinsky's 1927 score marks the beginning of his neoclassical period, with absolute command of both orchestral writing and dramatic intensity. It's interesting that Stravinsky's stated reason for choosing Latin for the score's libretto - '(it) had the great advantage of giving me a medium not dead but turned to stone, and so monumentalised as to have become immune from any risk of vulgarisation' - is precisely that offered by the Roman Church as the reason for her codification of Latin as its liturgical language (before the desacralisation of the Roman liturgy by neo-modernist barbarians). In fact, Cocteau's libretto was translated from French to Latin by the Jesuit (later Cardinal) Jean Danielou. The impersonality of the text/poem itself has the adroit effect of freezing dramatic consequence to the point of white heat, intuitively heightening the entire drama, something Stravinsky no doubt foresaw and is, interestingly, the key facet out of which Taymor vividly draws unerring pathos. The design of this production is like nothing else! That being said, the singing is magnificent - Jessye Norman, Philip Landridge and Bryn Terfel all in rare and perfect form, Norman especially, with her leonine face and voice delivers a riveting Jocasta in the performance of a career, something all the more shocking given the princely Impersonal so deliberately embedded by Stravinsky in the score itself. Norman and Ozawa have often worked together to wonderful effect (their recording of Carmen comes to mind), and the elucidation of detail he draws from the Saito Kinen Orchestra is astonishing at every turn. This is a piece impossible to completely absorb in one read through, but repeated viewings easily yield its greatness, and the DVD bonus extras are a vital part of reaping every ounce of the greatness of this superb production. Highest recommendation.
The Very Best! June 17, 2006
2 out of 2 found this review helpful
This is the best production of ANYTHING I have ever seen.
I could go on and on about this but I'd run out of superlatives in no time at all.
We've waited a long time for this to become available. I'm glad it's here at last.
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