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| Eyes Wide Shut (R-Rated Edition) | 
 enlarge | Director: Stanley Kubrick
Actors: Tom Cruise, Nicole Kidman, Madison Eginton, Jackie Sawiris, Sydney Pollack
Studio: Warner Home Video
Category: DVD
List Price: $24.98
Buy New: $2.98
You Save: $22.00 (88%)
New (8) Used (28) Collectible (2) from $2.28
Avg. Customer Rating:  734 reviews
Sales Rank: 27242
Format: Closed-captioned, Color, Dolby, Dvd-video, Ntsc
Languages: English (Original Language), French (Subtitled), English (Subtitled)
Rating: R (Restricted)
Number Of Items: 1
Running Time: 159
Aspect Ratio: 1.33:1
DVD Layers: 2
DVD Sides: 1
Picture Format: Pan & Scan
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
ISBN: 0790747065
UPC: 085391765523
EAN: 9780790747064
ASIN: B00003CWPR
Theatrical Release Date: 1999
Release Date: March 7, 2000
Availability: Usually ships in 1-2 business days
Condition: ******BRAND NEW****** ** Over 1.5 million orders shipped worldwide and more than 500 000 items in stock, BUY FROM A TRUSTED SOURCE, ESTABLISHED SINCE 1998 - INETVIDEO ~~~
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Amazon.com essential video
It was inevitable that Stanley Kubrick's Eyes Wide Shut would be the most misunderstood film of 1999. Kubrick died four months prior to its release, and there was no end to speculation how much he would have tinkered with the picture, changed it, "fixed" it. We'll never know. But even without the haunting enigma of the director's death--and its eerie echo/anticipation in the scene when Dr. Bill Harford (Tom Cruise) visits the deathbed of one of his patients--Eyes Wide Shut would have perplexed and polarized viewers and reviewers. After all, virtually every movie of Kubrick's post-U.S. career had; only 1964's Dr. Strangelove opened to something approaching consensus. Quite apart from the author's tinkering, Kubrick's movies themselves always seemed to change--partly because they changed us, changed the world and the ways we experienced and understood it. And we may expect Eyes Wide Shut to do the same. Unlike Kubrick himself, it has time. So consider, as we settle in to live with this long, advisedly slow, mesmerizing film, how challenging and ambiguous its narrative strategy is. The source is an Arthur Schnitzler novella titled Traumnovelle (or "Dream Story"), and it's a moot question how much of Eyes Wide Shut itself is dream, from the blue shadows frosting the Harfords' bedroom to the backstage replica of New York's Greenwich Village that Kubrick built in England. Its major movement is an imaginative night-journey (even the daylight parts of it) taken by a man reeling from his wife's teasing confession of fantasized infidelity, and toward the end there is a token gesture of the couple waking to reality and, perhaps, a new, chastened maturity. Yet on some level--visually, psychologically, logically--every scene shimmers with unreality. Is everything in the movie a dream? And if so, who is dreaming it at any given moment, and why? Don't settle for easy answers. Kubrick's ultimate odyssey beckons. And now the dream is yours. --Richard T. Jameson
Amazon.com
It was inevitable that Stanley Kubrick's Eyes Wide Shut would be the most misunderstood film of 1999. Kubrick died four months prior to its release, and there was no end to speculation how much he would have tinkered with the picture, changed it, "fixed" it. We'll never know. But even without the haunting enigma of the director's death--and its eerie echo/anticipation in the scene when Dr. Bill Harford (Tom Cruise) visits the deathbed of one of his patients--Eyes Wide Shut would have perplexed and polarized viewers and reviewers. After all, virtually every movie of Kubrick's post-U.S. career had; only 1964's Dr. Strangelove opened to something approaching consensus. Quite apart from the author's tinkering, Kubrick's movies themselves always seemed to change--partly because they changed us, changed the world and the ways we experienced and understood it. And we may expect Eyes Wide Shut to do the same. Unlike Kubrick himself, it has time.
So consider, as we settle in to live with this long, advisedly slow, mesmerizing film, how challenging and ambiguous its narrative strategy is. The source is an Arthur Schnitzler novella titled Traumnovelle (or "Dream Story"), and it's a moot question how much of Eyes Wide Shut itself is dream, from the blue shadows frosting the Harfords' bedroom to the backstage replica of New York's Greenwich Village that Kubrick built in England. Its major movement is an imaginative night-journey (even the daylight parts of it) taken by a man reeling from his wife's teasing confession of fantasized infidelity, and toward the end there is a token gesture of the couple waking to reality and, perhaps, a new, chastened maturity. Yet on some level--visually, psychologically, logically--every scene shimmers with unreality. Is everything in the movie a dream? And if so, who is dreaming it at any given moment, and why?
Don't settle for easy answers. Kubrick's ultimate odyssey beckons. And now the dream is yours. --Richard T. Jameson
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| Customer Reviews: Read 729 more reviews...
 Stunning; A Masterpiece November 24, 2008
1 out of 1 found this review helpful
Once again, a Kubrick film gets panned by the know-nothing critics and brainless movie-going public. Big deal. This is an extraordinary film; easily among Kubrick's best. I'm sorry, but if you are a Kubrick fan you've got to at least respect Eyes Wide Shut. Even on the most base, technical level it's a marvel. I'm not being snobbish here, just bluntly honest. Kubrick thought this was his best work, and it's not hard to see why once you give it a good look. It is like an onion in that there are endless layers of symbolism and meaning to be pulled apart.
The film cannot be summed up in a cute one-sentence blurb, but going further I would venture that Eyes Wide Shut is the definitive 90s film- in how it examines man (and woman)'s desires, fears, and ultimately denial at the end of the 20th century. Kubrick paints a broad and beautifully crafted picture of millenial Manhattan, as experienced by the yuppie couple Cruise and Kidman, that is at once familiar and dreamlike. That a filmic trip through this world would be defined by a chillingly sinister Satanic orgy, enacted in an opulent Long Island country mansion by a group of ultra-wealthy and powerful elites, is pure Kubrickian brilliance. I consider this lengthy sequence an absolute virtuoso piece of film-making and perhaps the finest scene in any Kubrick film outside of 2001: A Space Odyssey.
Kubrick's swansong is haunting and truly unforgettable. This is the kind of film that crawls its way into your brain and won't come out for days, even weeks. Eyes Wide Shut is a rare sort of masterpiece- it doesn't really beat you into submission with its brilliance while you watch it. Rather, the culmination of over two and a half hours of pure cinematic art, with all its mysterious evocations and powerful emotions, suddenly overwhelms the senses as the final word of the film is uttered and the credits appear.
 Eyes Wide Shut (Unrated) - Blu-ray Info September 29, 2008
1 out of 2 found this review helpful
Title: Eyes Wide Shut - Unrated
Version: U.S.A / Region A, B, C
Aspect ratio: 1.78:1
VC-1 BD-50
Running time: 2:39:01
Movie size: 31,77 GB
Disc size: 37,47 GB
Average video bit rate: 17.18 Mbps
LPCM 5.1 4608Kbps 48 Khz/16-bit English
DD AC3 5.1 448Kbps English / Japanese / French / Spanish / German / Italian
Number of chapters: 30
Subtitles: English SDH/HoH, English, Dutch, German, Italian, French, Spanish, Japanese, Chinese, Portuguese, Korean, Finnish, Norwegian, Swedish, and Danish
#Featurette - The Last Movie - Stanley Kubrick and Eyes Wide Shut
#Featurette - Lost Kubrick: The Unfinished Films of Stanley Kubrick
DGA - D.W. Griffith Acceptance Speech, 1998
#Interviews - Nicole Kidman (17m:45s) / Tom Cruise (08m:23s) / Steven Spielberg (07m:49s)
#US TV Trailer: Jealousy (34 seconds), Combo (34 seconds)
#Extras feature optional Japanese subtitles
 What was kubrick thinking? September 20, 2008
0 out of 6 found this review helpful
Tom Cruise is a horrible actor who wrecks whatever chance the movie had. This is also one on the most unerotic "erotic" movies I have seen. Stay way.
Only understood with a mind wide shut... September 11, 2008
2 out of 2 found this review helpful
I make it a point to watch this movie at least once or twice a year; for it is one of those films that touches you differently each and every time you entertain it. Once I feel that I have my mind made up it is completely trampled and my perception of events is altered as my mind tries to re-contemplate everything I just witnessed. That is the beauty within `Eyes Wide Shut'; a film so tragically misunderstood that many have labeled it pointless and even trashy without fully comprehending all that the film really stands for.
The film almost feels lost within itself as it shifts from scene to scene; moment to moment, and in the final thrusts of the films focus we see an explanation (or is it) starting to form before our eyes, but what is so beautiful about the films construction is that that particular explanation (or any explanation for that matter) is completely contradicted the next time we watch the film. There are no easy answers to the questions raised while watching this masterpiece and that makes for some of the most intriguing titillating post-viewing conversation. Kubrick's visual styling is incomparable and his approach to the rabid subject at hand; his frankness and blunt rashness; elevates the material and builds a pristine foundation for the films more startling sequences.
The film opens with high society couple Bill and Alice attending a party. Separated from one another we find Alice drinking her detachment away and dancing too close with a stranger while Bill weaves his way through the large mansion to make his services available to those in need, one such individual being his good friend Victor. This scene perfectly mirrors the characters development and their emotional connection to one another and to us as the audience. Both Alice and Bill are in a sense playing variations of themselves, locking away their true identities for the sake of those around them. They are not necessarily faking it or posing as someone else but more or less playing up the parts of them that others want to notice.
As the film progresses we witness Bill's emersion into a dark underworld that he is drawn to out of a perverse curiosity yet repelled from because of his desirable innocence. As he filters through his own feelings with regards his marriage and his life he tickles the keys of his own tendencies and this leads to some startling discoveries; discoveries within himself and those around him.
`Eyes Wide Shut' is unfairly recognized for its fearless depictions of immorality; sequences that have proven to be the backbone of ones distaste or admiration of the film. I say unfairly because those scenes are a small instrument used by Kubrick to paint a much larger picture. If one only sees the film for the savage imagery then they have missed the final impact of the films true nature.
Face it; we may never fully `get' this film, but to claim it nothing more than a perversion is simplifying it far too much, maybe in an attempt to justify our own misunderstandings.
Kubrick was aided by some fantastic performances by the entire cast, most notably the two stars Cruise and Kidman. Tom Cruise brilliantly captures his characters attraction to a world he doesn't quite understand. Nicole has the most complex character in the film and she tackles her performance with real bravo. Her understanding of what makes her character tick (and those priceless closing words "We have something very important to do...") adds so many layers to the films interpretation. Sydney Pollack also delivers a very controlled and memorable performance and deserves attention for all that he serves with such little screen time.
In the end `Eyes Wide Shut' is not a film for everyone, but it should be. Yes, it is graphic and it is shocking but it is all done in a tasteful (although it may not seem so) manner that carries the film to all kinds of levels of brilliance. As time passes the film continues to beam like a beacon for all other films to take notice of something far beyond their reach.
If you didn't like it the first time, see it again, your opinion might change September 8, 2008
This is truly a movie that you don't forget after it has finished. It gets in your head and stays there which is one of the reason that so many people admire the film even though it had its fair share of detractors when it first came out.
Eyes Wide Shut is one of my favorite films and is one of the few films that I can watch over and over again and still find it fresh and exciting.
Visually, it is one of the most beautiful films you will ever. Kubrick's technical brilliance with color schemes, sets and camera work is in full effect here. Much of this film looks like a beautiful old photograph or a painting rather than a film.
Some people don't like the film because of the slow pacing. Personally, I prefer films which build a dreamlike state in which tension is increased steadily throughout but that is my preference. If you don't have an affinity for these types of movies then you might have been turned off by the intentially slow pace of the film, a pace which is reflected not only in how the film is shot but how the characters speak their lines.
Eyes Wide Shut is a great film that becomes richer and more enveloping with each viewing. It requires patience, demands attention, and allows one to think about its characters and the subtle nuances in their dialogue exchanges in the context of its theme about the possibility of marital infidelity in a fragile marriage. Some have seen it once and hated it only to gradually admire it on second viewing. Do yourself a favor: in this mindless time of mediocre films, check out Kubrick's last film "Eyes Wide Shut." If you hated it or disliked it the first time, you may find yourself at least admiring, on second viewing, the world Kubrick has created on screen and how he fashions this world before our eyes, as he has with all of his films. Keep those eyes wide open.
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