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| Badlands | 
 enlarge | Director: Terrence Malick
Actors: Martin Sheen, Sissy Spacek, Warren Oates, Ramon Bieri, Alan Vint
Studio: Warner Home Video
Category: DVD
List Price: $19.98
Buy New: $12.82
You Save: $7.16 (36%)
New (48) Used (23) from $9.99
Avg. Customer Rating:  72 reviews
Sales Rank: 15012
Format: Ac-3, Anamorphic, Closed-captioned, Color, Dvd-video, Full Screen, Widescreen, Ntsc
Languages: English (Original Language), French (Original Language), English (Subtitled), French (Subtitled)
Rating: PG (Parental Guidance Suggested)
Number Of Items: 1
Running Time: 94
Aspect Ratio: 1.85:1
DVD Layers: 1
DVD Sides: 2
Picture Format: Array
Shipping Weight (lbs): 0.2
Dimensions (in): 7.3 x 5.4 x 0.6
MPN: WARD16086D
ISBN: 0790739240
UPC: 085391608622
EAN: 9780790739243
ASIN: 0790739240
Theatrical Release Date: 1973
Release Date: April 27, 1999
Availability: Usually ships in 1-2 business days
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Product Description
Dramatization of the starkweather-fugate killing spree of the 1950s in which a teenage girl and her twenty-something boyfriend slaughtered her entire family and several others in the dakota badlands. Studio: Warner Home Video Release Date: 09/26/2006 Starring: Warren Oates Sissy Spacek Run time: 93 minutes Rating: Pg Director: Terrence Malick
Amazon.com essential video
Still one of American cinema's most powerful, daring filmmaking debuts, Terrence Malick's Badlands is a quirky, visionary psychological and social enigma masquerading as a simple lovers-on-the-lam flick. Inspired by the 1958 murders in the cold, stark badlands of South Dakota by Charles Starkweather and Caril Ann Fugate, the film's plot, on the surface, is similar to that of other killing-couple films, like Bonnie and Clyde and Gun Crazy. Martin Sheen, in an understated, sophisticated performance, plays the strange James Dean-like social outcast who falls in love with the naive Sissy Spacek--and then kills her father when he comes between them. The two flee like animals to the wilderness, until the police arrive and the killing spree begins. What sets the film apart from others of its genre is Malick's complicated approach. Gorgeous, impenetrable images contrast sharply with Spacek's nostalgically artless narration, serving as ironic counterpoints, blurring concrete meaning, and stressing that nothing this horrific is simple. Malick observes, rather than analyzes, the couple in a manner as detached and apathetic as the couple's shocking actions. No judgment or definitive motivations are offered, though Malick's empathy often leans toward his senseless protagonists, rather than the star-struck society that makes killers famous. Compared with the interchangeable uniform cops who hunt them and the film's other nameless characters stuck in suburban banality, the couple are presented like tarnished, warped and frustrated results of squelched individuality. Badlands, on one level, views America's suffocating homogeneity and, conversely, its continued obsession with celebrities (individuals considered different but adored) as hypocritical. Ambiguous and bold, the movie hints that society may be as guilty as the killers. --Dave McCoy
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| Customer Reviews: Read 67 more reviews...
 Some Notes on Badlands September 24, 2008
Recently watching Badlands for the second time, I was less impressed than after the original viewing. But I figure enough people have given their reasons for liking or not liking the movie, so instead I'll throw out a couple thoughts upon watching it. For one, the couple is never in the actual Badlands of the Dakotas. They spend all their time on the Plains, unless I'm mistaken, whether it's the town they first live in, their holdout by the river, or their drive through the flat landscape. Badlands may be a purely metaphorical title, but the movie is actually set in a landscape more like that of Days of Heaven, if I'm remembering that movie right.
Also, I was struck by the plight of Kit's fellow trash collector, who's probably heard about Kit's mayhem, and is stuck on this isolated ranch house when he sees Kit show up brandishing his rifle. What terrible luck for him! This guy who happened to work alongside this asocial drifter now has only two options, try to take the gun from Kit or escape at the first opportunity he's got. Either way someone's going to get shot. Once Kit's picked up his gun and shot Holly's father, everyone he goes on to meet will be in mortal danger simply because Kit's so egotistical he'd rather kill people than run the risk they'll turn him. For me, the menace that floods the rest of the movie came from that fact, much like how watching No Country for Old Men I was constantly wondering who was going to die next.
Revisionist history + good acting = interesting movie. April 29, 2008
3 out of 3 found this review helpful
Badlands (Terrence Malick, 1973)
I've never understood the mystique attached to Terrence Malick. I assumed this was because the first Malick film I saw was his 1998 desecration of The Thin Red Line, to this day one of the worst films I have ever had the displeasure to sit through in a theater. I figured that in order to give the guy a fighting chance, I'd go back and watch his earlier movies. Badlands was his first, and hey, Martin Sheen and Sissy Spacek playing Charles Starkweather and Caril Ann Fugate? Okay, I'm sold. And it is certainly a much better film than The Thin Red Line, though I'm still not quite sure I've figured out the whole "mystique" bit.
The movie is a loose (very loose; everything from the names of the protagonists to the locations is changed-- Starkweather and Fugate never made it to Montana) adaptation of the Charles Starkweather story. Starkweather, here called Kit (Sheen), a garbageman, meets Fugate, erm, Holly (Spacek), a schoolgirl ten years younger than he. He falls in love with her. Her father (Warren Oates) is dead set against it, not because of the age difference-- Holly is only fourteen-- but because of the class difference. When Kit loses his job, he arrives to take Holly away with him so he can go find another one; after her father adamantly refuses to let her leave, Kit shoots him. Holly shows some emotion at this but not a great deal; she leaves with him, and the two travel from South Dakota to Montana, leaving a trail of bodies for which Kit has very easy explanations. After all, if he left anyone alive, they might tell the police where the young lovers (though how much love there is between them is always in question) are. They flee for Canada, an ever-growing legion of law enforcement officers on their back.
It's hard to deny the power of the source material; people have been wondering for decades what on earth possessed Caril Ann Fugate to tag along on Starkweather's killing spree (she claimed she was held hostage, but that never really rang true). And what Malick has done with it here is interesting. Spacek and Sheen are, of course, excellent actors almost every time they hit a screen, and the cinematography is fantastic, all the more so because it seems to have been done by committee (three cinematographers are named in the credits). Perhaps the faint dislike I felt of it simply stems from my dislike of The Thin Red Line, because, short of nitpickiness that's not really appropriate for such a fictionalized narrative of the events, I can't find any other reason for it. Still, I'm not entirely sure it deserves all the raves it's gotten, but that doesn't make it any less a good movie. ***
 Not as well made as you think.... February 7, 2008
0 out of 7 found this review helpful
Okay okay, these reviews and everything got me going. I have seen all TM's films but this one and I gave it a go, calibrating my screen and readying the headphones.
WHAT A WASTE.
I will chalk this films credibility as being the gift of a rabid fanbase. It is the guy's first film, but.... COME ON PEOPLE!
This film would be failing with critics if it came out today because, FOR ONE, the acting is terrible, the editing is average, and many of the film's best scenes reek of 70's 'cheese'.
And beyond that, these characters, based on the actual murders that are way more chilling if you care to read the true story (at crime library), are just not very well written, and even Malick is NOWHERE NEAR his best.
So whatever, this is no film classic and I was unbelievably disappointed after all these glowing reviews. This movie isn't average. I have seen films based on real events, such as the somewhat boring ZODIAC, do more than this movie does in one scene, with characters and script. The direction and cinematography, while sufficient, simply cannot mask the terrible writing and the way the actors approach the script.
I was, Honestly, much more frightened reading the straight account of the official story in the format at Crime Library.
 Quick on the Draw with a Finger on the Trigger December 20, 2007
1 out of 1 found this review helpful
Badlands is Terrence Malick's first feature film, and paved the way for his acclaimed career. Badlands is a meditation on the relationship between 15 year old Holly and her older boyfriend, Kit as they go on a crime spree throughout the Midwest, leaving a number of bodies in their wake. The film has a relatively low budget aesthetic, but is very well shot and scored. The performances from Sheen and Spacek are excellent, and contribute to the haunting nature of the film. Although this movie is unconventional, it is very entertaining and easy to watch. It is not a very difficult movie to comprehend, but it is a film that merits multiple viewings.
Hmmmm ! -- Question ......... November 18, 2007
2 out of 5 found this review helpful
Picture of the jacket-cover for this movie says: Starring Martin Sheen & Sissy Spacek. But you look to the right of the cover it reads: Starring: Dona Baldwin, Ramon Bieri. What is one to deduce about this ????
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